Capitalism: a love story. Compulsory viewing.

Coming out October 2nd in the US, this is compulsory viewing for the readers of this blog. Though I think that Michael Moore doesn’t convey as much information and background in his docos as the guys behind the fantastic The Corporation, or Enron, he does a very good job at making a point to a wider audience (which normally might not think about these things quite so much), and a good one at that. Go see this movie!

Why the Sound of Music is so popular, really…

The hills are alive where I come from. We are all dressed in Dirndls, spin around our own axis with dizzying grace and break out in yodelling for no particular reason. At least that’s the image that is being conjured up in – excuse me but you know it’s true – mostly Americans I meet abroad.

Truth is, I don’t own a Dirndl – yet! I am gonna buy one with my friend Eva in August, because having been an ex-pat for over 5 years now I really need one. I do sing, and I’d like to say quite well (at least when I and everybody around me are drunk), but not that randomly, and certainly not in a yodelling fashion (though I would love to be able to do that). And: before I moved to New Zealand, I had never, ever seen the Sound of Music before. Shocking, I know! Especially as a media theorist/activist I feel it is my obligation to watch, deconstruct and churn out what it means to people on an individual level and on a shared consciousness level with all sorts of products of popular culture.

Well, I finally did watch it 3 years ago. And something never quite sat right with me. Why on earth is that movie so popular? Ok, Julie Andrews twirling is beautiful. I knew the songs by heart after just seeing this thing once. For a movie geek like me: first big scale aerial shot at the beginning of the movie: that is pretty awesome. As movie goers, we do have a good excuse to watch it: wholesome family-ness resisting evil Nazis. But it is a pile of crap, really.

Now, Matthew just sent me this video, and this guy is totally onto something here. It pretty much sums up the underlying awefulness and twistedness of the visual messages in The Sound of Music. Watch it, remember the movie, and go “aaaaaaaaahhhhhhhhhh!!!!!!!!!”

I heart Disaster Porn!!!

I showed you the 2012 trailer a few days ago. Now that is pretty hilarious as is, without deliberately poking fun at it. But you ain’t seen nothing yet!

Watch this beautiful Disaster Porn 2012 extravaganza. If that doesn’t sell you on going and seeing it, I don’t know what will. November 13th! Marked in my calendar.

2009 – a Space Oddity

I love David Bowie. For so many reasons: he is a chameleon (much like moi), he has kick-ass as well as hilarious outfits, he makes awesome music (and he’s been doing it for ever), he is Charlie Hero’s and Karim Amir’s hero (and I love Karim Amir – he is my favourite Hanif Kureishi character by a long shot), and he wrote Ground Control to Major Tom, which was an important song to me when I was about 4 years old, because back then I wanted to be an astronomer (or an opera singer. A male opera singer – otherwise I couldn’t be Papageno).

Anyway, David Bowie: I will get to play with another one of his awesome songs, and you can play, too: Space Oddity is being re-released in remixable tracks to commemorate the 40-year moonlanding anniversary (has it only been 40 years? Seems more like 60 to me…). Coming out July 20th.

I am a slacker!

“I wanna blow you… up!”

No matter whether or not you like Roland’s movies (I quite do, though 10,000 BC is not my favourite one either, even though working on it was awesome), but you gotta admit: John Cusack in a Roland Emmerich film will definitely make for an interesting watch.

Funny, but not.

My friend Dagmar sent me this link a couple of weeks ago. Below is what’s on the page. The top line is especially spot on I find.

I am not on f***ing Facebook

Nah, of course I am! Occupational hazard. But I saw this T-Shirt in a street near Covent Garden the other day, and I had to take a photo. Anybody want one? I can get one for you – I’ll be around a lot.

Great expectations

I have a wee problem. In my everyday life as a teacher (I have somehow become a teacher. Not just at Universities, but also in other contexts) I am sometimes encountering different expectations and/or different levels of pre-existing knowledge of what I am talking about in the same room.

Here’s an example of such an event: on Monday I gave a half hour introduction into social and new media to a bunch of people who work in one way or another in the Austrian film industry. There were about 80 people in the room. Many of them knew very little about what I was on about. They had all used YouTube before, a significant number was on Facebook, and a few even used Twitter. But generally, the majority needed an introduction into the sphere. So, I gave one.

After the event I got loads of feedback, which can roughly be divided into the following categories:

1. “You opened my eyes! The world will never be the same again.”

2. “I knew some of this stuff, but it was really great to get an additional perspective on it.”

3. “I think this was really inspiring (even though it wasn’t news to me).”

4. “I know all that already, and you weren’t specific/groundbreaking enough. Tell me more!”

I love all four kinds of feedback, because they make me think about who needs to know what. The vast majority fell into categories 1 and 2. Some of my co-fighters for the same cause (raising awareness for social media and their importance to filmmakers) said something along the lines of category 3. And two guys said something along the lines of category 4.

Now, here is my problem: how do I satisfy all of these guys’ expectations in one short half hour? I can be very inspirational in 30 minutes, for sure. I can teach newbies something – if not a lot – about social media as well. But can I satisfy the craving of people like me (people who know their sh*t in that sphere) at the same time as giving an introduction to the wonderful world of new media? Not yet.

In the next weeks I will be lecturing more, mostly in front of more homogenous crowds (University students, or filmmakers who all have the same level of knowledge in that area). But I will simultaneously develop a new mini-curriculum that tries to do the impossible: exceed all these folks expectations. Maybe I will succeed, maybe not. Only time will tell.

What is definitely going to work though is planning these gigs in a manner that makes sure that the audience is more homogenous. Making sure that everybody is on roughly the same page and has similar expectations is going to make everybody’s experience a better one, where great expectations (mine as well as the participants’) are not just met, but exceeded. That should solve that wee problem I encountered. I’ll let you know how it all works out.

British food: yum-my!

I love British food. Britain is Nirvana cuisine-wise to me. To me, traditional British fare is Indian, followed by Chinese, chased by scruptous breakfast (full cooked English Breakfast with bangers and hash browns as well as my all-time favourite Porridge), meat and three veggie dinners, and of course fish’n'chips (or fush’n'chups, as we Kiwis say). Yum-my! Can’t wait to move there to significantly increase my intake of Indian food.

Good thing for me then that apparantly 26% of Britons know how to make a curry by heart, without consulting a recipe book or nana. Roast dinner also ranks real high, with 54% of people knowing how to assemble that from scratch without help. I will be moving in a few weeks, so my British friends (and friends and family to be): stock up on groceries, get out your best china, and make me dinner! I will bring the Austrian (and New Zealand) wine.